The Last Post

I think the only thing I really have left to say is Thank you to Professor Sexon. This class is exactly what I think education should be and it because of you. I echo many of classmates when I say you are an inspiration. I am very glad I happened to have taken this class and it will change the way I see and interpret the world around me.

My Life as a Mythic Detective

From the very beginning of this class things have fit together, connected to one another by such beautiful synchronicity I doubt I will ever be the same. One of the first things we discussed, in quite depth, was trees. Specifically the Laurel tree.  My given first name is Lauren, which means from the place of the laurel trees. I’ve never gone by Lauren; I’ve always gone by my middle name. I’ve often wondered why my parents would name me something they never actually intended to call me. But having learned the significance of Laurel trees I thought, maybe that’s why, maybe it’s mythological.  And so I began realizing how important it was that I was taking this class, at this specific point in time. I began to appreciate the brilliantly ordinary happenstance that landed me here at the exact time I was meant to be. A few big things further reinforced that notion over the course of the semester.

            One of the first things I blogged about was a song by Blind Willie Johnson called Dark Was the Night. I talked about this song in my post about the theme of loneliness in creation myths. This song was put on something called the Voyager Golden Record, a phonograph, sent up by NASA on the Voyager spacecraft. The record includes sounds and songs of Earth in the case that it was found by intelligent extraterrestrial life. Blind Willie Johnson’s song was put on to describe the human emotion of loneliness. So when we came to the end of the class, which is really just the beginning, it was kismet that Dr. Sexon decided to share a song by none other than Blind Willie Johnson. As we listened to John the Revelator I wondered if Blind Willie could ever have known as he sung those songs that they would be launched up into space for aliens to hear or listened to by a group of college students. Then I realized how profoundly mythological it was that he was Blind Willie Johnson. He was blinded as a child when his mother threw lye in his face. Maybe, like Tiresias he saw something he ought not have or gave an answer he never should have.  So it makes beautiful, perfect sense that Blind Willie Johnson would have this power of music, a sort of foresight that has reached through all these years, into outer space. It makes me wonder if he didn’t know all along.

            All semester I have happened to read a bunch of things out of class that have consistently and perfectly echoed what we discuss in class. From the poet Rainer Maria Rilke to Roald Dahl to Kurt Vonnegut, I have read certain things with impeccable timing. One of the most profound synchronicities was my reading of Cat’s Cradle by Kurt Vonnegut. Incidentally, I have been trying to read this book for over a year now but couldn’t because it was constantly checked out from the library. I now realize there is no other time I could have read it than the exact time I did.  The book is about a made up religion and the end of the world.  I shared this quote in my blog:

“No wonder kids grow up crazy. A cat's cradle is nothing but a bunch of X's between somebodies hands, and little kids look and look and look at all those X's . . ."

"And?"

"No damn cat, and no damn cradle.”

Which as I shared in my before, just fits so appropriately to Nabokov’s short story and “referential mania”.  Maybe we are all looking for something that isn’t there, whether is be in cat’s cradles, jars of jellies, or old blues songs. Which momentarily but the brakes on my intellectual excitement about everything connecting.  “Wait” I thought, I’m finding all this meaning in things that say there is no meaning…what does that mean? But then I realized I was missing the point, of course things are only meaningful because we make them so, but that’s irrelevant we ourselves are meaningful. Therefore the meaning we prescribe to things is equally so. The connections are equally valuable. To quote, if I may, Albus Dumbledore; “of course it’s all been happening in your head but why on earth should that mean it isn’t real”.

      So, through the course of those events, the class discussions, and the recent presentations have been immeasurably valuable to me. It has affirmed me in my desire to study and make films. Stories are perhaps the most valuable thing in human possession, and I do believe its something we each posses. We are all proceeded by it, and so we all have a share in it. Ovid knew that, he knew how important art, and literature, and stories were. They serve as an infinite power that exceeds time and space to assure us that others have gone before.

 

              

End Times--"No Cat, No Cradle"

A few days before we started discussing the end times I finished reading the book Cat's Cradle by Kurt Vonnegut, which is a profoundly mythological work that centers around the story of the end of the world as we know it. It involves a made up religion called Bokonism that professes it self as lies all fabricated to comfort humans in the face of meaningless. Bokonism even includes its own mythological creation story.  The novel focuses on the creator of the atomic bomb, which is alluded to as the end of the world due to our own knowledge. Which is extremely biblical and mythological, the idea that we know what we shouldn't, that we've seen what we ought not have.  The end civilization in Cat's Cradle comes at the hands of an invention that essentially turns the whole world to ice. End times are ushered in at the hands of our own knowledge. The whole novel is a great allegory of the human quest for meaning, a quest that is perhaps is fruitless. As suggested in tis quote:

“No wonder kids grow up crazy. A cat's cradle is nothing but a bunch of X's between somebodies hands, and little kids look and look and look at all those X's . . ."

"And?"

"No damn cat, and no damn cradle.”

When I read that of course immediately thought of the "referential mania" in Nabokov’s short story. And then I reread that verse in Ecclesiastes that says: 

                                       "Vanity of vanities, says the Preacher; all is vanity."

And then I thought of how "Vanity" refers to the Hebrew term hebel meaning "mere breath", and in the NIV version it actually uses the word "meaningless" instead of vanity.

 I was slightly intellectually overwhelmed at how everything started connecting to everything else, and even more so by the thought that I was finding so much meaning in all these things saying there is no meaning.  There were so many connections that I found it really hard to mentally organize them enough for this post, which is why I'm sure it seems rambling. I'm also sure there are a ton more mythological references and connections in Cat's Cradle but I'll leave those for my final paper.

No Ordinary Day

Our discussion of ordinary days reminded me of this particularly poignant quote:
 
"If your everyday life seems poor to you, do not accuse it: accuse yourself, tell yourself you are not poet enough to summon up its riches; since for the creator there is no poverty and no poor or unimportant place. And even if you were in a prison whose walls allowed none of the sounds of the world to reach your senses, would you not still always have your childhood, that precious royal richness, that treasure house of memories?"

    That is a quote by the German poet Rainer Maria Rilke from his book Letters To A Young Poet.  It's a compilation of ten letters he sent to a 19 year old poet. I'm no poet, but I am 19, so I've found the book particularly apropos to my life and Ovid's Metamorphoses. Myth, as the precedent to all action, serves as a kind of collective memory in which we all share. A recollection we all posses and can call upon to bring beauty and significance to even the most mundane of circumstances.  At the risk of sounding repetitive I echo what I have said in my previous posts; we are irrevocably connected by myth and literature. It is a wonderful thing to be so moved by something written over 100 years ago to a different 19 year old, and then to realize its real significance lies in stories much older.     

Myth Displacement

In every American suburbia community there are leaders, members of the community that hold an unmistakable power over their fellow neighbors and community members. Mr. Smith held that power in his own suburban community. He was highly regarded, head of the home owners association, president of the PTO, the whole nine yards. He held the power of a suburbia, mini van, white picket fence god. A king among the average citizens who regarded him as a leader. The thing was, he was a total slime ball.  Just a terrible human being. And I mean creepy lady killer, pedophile,Boo Radley, Buffalo Bill type. On the inside at least.
He would hang around around the schools luring young beautiful women into his clutches. He would ride around in a white windowless van handing out candy and puppies. Which should have been a red flag, but he was a suburban god so he got away with it. Driving around in his white van he captured and took advantage of many young women. I don't mean to say that so casually but its the truth and will probably just end up as some account that students casually read in their classes years from now. One young girl in particular he coerced into the cover of his creepy white van by traveling around with a heard of adorable puppies. Under the cover of puppies he drove that poor unsuspecting girl away into the sea of housing complexes and strip malls, his power unchecked even though he was a creepy, creepy man.       

"The Spinners" Interpretation

I Think one of the most interesting things about this photo is that it is art that is about art, a story about a story, which is exactly what Metamorphoses is. I think the tapestry in the back is probably the tapestry Athena wove, and by virtue of lighting your eye is drawn to much more than the foreground.   This is probably to highlight that the story of Athena and Arachne as the precedent to the weaving that is happening in the foreground. The tapestry is framed within the frame, a story within a story. I think maybe Valazques is showing how much credence Ovid places on art, a battle of weaving is told with as much importance as a battle of swords. The woman in the foreground holding back the red curtain  as if they are on a stage, also seems to convey this theme of art within art. That seems to be the main point and parallels to Ovid that I can deduce. I honestly couldn't identify any references to spiders, but there are probably a lot of references I'm not picking up on.

Originality and Art

I thought I would talk about a few subjects that over the last few weeks of class we have discussed and  I've realized are very closely related. I've recently started to see just how many aspects of the class are so intertwined with each other as well as my own life. Namely, the subjects of art and originality. Many students have already talked about how nothing is original and everything we are and everything we do is just a repetition, perpetuating what has already been done. As a film major this is something that I've had to come to terms with recently. Anybody who endeavors to do anything creative has to face the reality that in some form its been done before. How can I create, say, think, do, anything new? That is a heavy thought that can be kind of demoralizing. But actually It's kind of encouraging. It is most important to make something, truthful, and beautiful. Less imperative is originality. While reading Metamorphoses I began thinking about originality in the realm of art and literature. In a sense, unoriginality is what makes art and literature so valuable. It reaches through time and space and says "hey you are not alone",these challenges have been faced before, people have felt what you are feeling.   There is something really beautiful about that. Being original means you are alone, and as i said in my last post, that is not something humans are meant to be.

Loneliness

A common theme I've noticed in a lot of these creation myths is loneliness. The early beings of the earth seek company after awhile, even having been given all of creation we run into the same problem..."but then he was lonely" The first being escape this unbearable aloneness, seeking woman, creatures, and companions. It goes against our most ancient of dispositions to be completely alone. It is the most intrinsic of desires to know that we are not solitary in our existence. I found this theme interesting because everyone has felt the heavy burden of loneliness at some point in their lives. That in a way is very consoling. Coincidentally, I recently watched this video a blogger has made about loneliness and the myths we've heard in class reminded me of it. I urge you to watch it as it is both entertaining and informative. Some of the info isn't directly relevant but still interesting to just hang in there, he gets around to it.

A Maori Summary of Creation

So basically the Maori supreme being is IO who first existed in, you guessed it, immense nothingness. He spoke light into existence by saying "darkness become a light possessing darkness"  he then created Ragni and Papa the Sky Father and Earth Mother. They were "cleaved together in a protective embrace" so close that neither light nor time could slip between them. The had hundreds of sons who eventually got tired of living in the darkness of their parents. The met to discuss this and one son, Tuma the god of war, wanted to kill the parents, but his brother Tane suggested the separate them and that is what they agreed upon.  So Tane put his shoulders on the earth and feet on the sky and pushed until they were separate. Earth Mother bleeds the red of the sacred clay and Sky father bled the red of the sunset. Sky Father, so saddened by the separation wept the rain and formed rivers and lakes. Eventually    sons got lonely and searched for a woman. Unable to find one Earth Mother took pity and told them where to form a women. They went their and out of earth formed a women whom Tane breathed life into and thus the earth was populated.
http://mythicjourneys.org/bigmyth/myths/english/2_maori_full.htm
http://www.laits.utexas.edu/doherty/plan2/liangcreation.html

Maori Creation Myth

I chose to do the Maori creation myth which involves a Supreme being, IO, which forms the Earth and Sky who are “cleaved together in a procreative embrace" their offspring then separate them and form a woman out of the earth.  I haven't done much research on it yet and that is of course a very brief summary. I chose the Maori creation myth because I became very interested in the Maori culture and myth after reading the book The Bone People by Keri Hulme. It takes place in New Zealand (the Maori's origin) and goes in depth about their culture. In the process of reading this great book I learned a lot about the state of the culture now as well as some deep and important aspects of their myth/culture. But I haven't learned their take on creation so I look forward to exploring it further.

Dreams

I have always been a vivid dreamer. Not only do I usually remember my dreams but they are often bizarre, exciting, or just visually engaging. I in fact often go to bed excited about what I might dream. I like that you never know what you are going to dream, your mind spills out things in your sleep that you could never think up while conscience. I have a few reoccurring dreams that often pop up in my sleep. One I've had since I was very young where I'm drinking tea with Matilda, the character from Roald Dahls children's book.  The other reoccurring dream involves me meeting the love of my life at the $5 movie bin at Walmart. I have no idea of the significance of this but I weirdly have it often. My favorite of my reoccurring dreams has no narrative but just involves me swimming in a clear pool at night that vividly reflect a majestic galaxy, I am swimming with tiny orca whales. Its as stunning and highly entertaining dream but I have no idea what it could mean. I'm not sure I can relate these back to mythology but as the assignment "have a dream" seemed pretty open I figured I would write about them.

Art in the Metamorphoses

I have started to notice the importance Ovid places on art. Myth and art are so closely intertwined, especially in the Roman culture. As a form of communication, documentation, and expression of awe and wonder art is an integral issue in Myth. In the story of Paethon's Ride, when Ovid describes the palace he says "yet more valuable than gold and silver was the craft that made them"(Ovid 33), such a high value placed on craftsmanship seems to be a common theme. Paethon however is perplexed by the art, perhaps a critique of his character which disregards art and beauty for a chance to drive the chariot. The vital nature and power of art is further depicted in the story we read today of Pygmalion. Usually art depicts reality but in Pygmalion's story the inverse happens and reality depicts what was once art. The story also perhaps suggests that art is in fact so valuable that it can sufficiently replace reality and become as beloved and tangible as any real lover. We have to always look at art and literature as intertwined mediums that give each other meaning, in this context there is all kind of vast new meaning brought to the stories of Metamorphoses.   

TREE HUGGIN'

Hugs not Drugs.

Introduction

My first name is Lauren but I go by my middle name, Caily, which can make things confusing I know. I am a freshman Film major and am greatly looking forward to this class. Not only because I think it will be enlightening in general but because Film is largely story-telling and so much of modern American myth is conveyed through film. So the study of Mythologies will be bring an interesting light to my field of study. I've never blogged before so I hope this initial uncertainty an self-conciseness over what exactly to blog about will fade.